December 21st, 2014
Die Revolution war für mich ein grosses
Paul Mattick im
Gespräch mit Michael Buckmiller
Edited, introduced and annotated by Christoph Plutte und Marc Geoffroy,
With literary texts by Paul Mattick and an afterword by Michael Buckmiller,
Dissidenten der Arbeiterbewegung IV
Unrast Verlag, Münster, 2013.
Towards the end of last year, the fourth volume in the series Dissidents of the Workers Movement from Unrast publishing appeared. The series was started with a certain enthusiasm in 2008/9. Anthologies of the writings of Cajo Brendel, Raya Dunayevskaya, and Christian Riechers were published. All three are well recommended (note that the Dunayevskaya book in this series is a translation from the English), as they feature hard to find and important texts of different currents of anti-Leninist Marxism. Unfortunately, after the first three volumes came out, there was a pause in publication for several years before this fourth edition was finally released.
The new volume differs from the previous ones insofar that it isn’t an anthology of texts, but the transcript of an interview, which Michael Buckmiller conducted with the council communist and crisis theoretician Paul Mattick (1904-81) in 1976, titled The Revolution Was a Big Adventure for Me.
Buckmiller published his dissertation about Karl Korsch in the same year and had been the editor of Korsch’s collected works since 1980. He met Mattick in the context of his research. The extensive interview focuses on Mattick’s biography, which is an anomaly insofar that Mattick mostly put his personality in the background. [Read more →]
December 19th, 2014
More Years for the
Locust – The Origins of the SWP
Unkant Publishers, London, 2011.
Jim Higgins (1930-2002) was amongst the relatively large number of militants who left the ‘official’ (i.e. Stalinist) Communist Party in 1956 after the shattering experiences of reading Nikita Khrushchev’s ‘Secret Speech’, which denounced the crimes of Stalin, and the crushing of the Hungarian uprising. First, he joined ‘The Club’, a splinter from the erstwhile Revolutinary Communist Party (RCP) lead by Gerry Healy, which was to become the Socialist Labour League, and later the Workers Revolutionary Party. Soon after, he joined the small Socialist Review Group (founded 1950) around Tony Cliff, which had also grown out of the RCP. This group would later turn into the International Socialists, which later became the Socialist Workers Party.
The topic of Higgins’ book is exactly this pre-history of the SWP. [Read more →]
December 18th, 2014
Das Israelpseudos der Pseudolinken
Edited by Jan Gerber and Anja Worm for the ‘Materialien zur Aufklärung und Kritik’ (Halle),
With a preface by Henryk M. Broder and an afterword by Jan Gerber and Anja Worm.
Ça ira, Freiburg i.Br., 2013.
In 1969, a string of terror attacks against Jewish institutions in the Federal Republic of Germany began, most notably the attempt to blow up the Jewish Community centre in West Berlin on the anniversary of the Nazi pogroms known as ‘Kristallnacht’ of 1938. Contrary to earlier anti-semitic activities, such as desecrations of Jewish graveyards attributed to neo-Nazis, this new wave was perpetrated by ‘left wing’ activists.
Central to the agenda of the New Left in the early to mid-1960s was the exposure of the lack of decisive de-Nazification and the survival of Nazism within West German society, particularly in the establishment. Until the year 1967, or more precisely until the Six-Day War, the German Left had been essentially pro-Israel. Then some voices in the ‘New Left’ spoke up, wanting to see the conflict in the Middle East as a particularly exemplary version of a world wide conflict between ‘imperialism’ and ‘national liberation movements’. [Read more →]
December 15th, 2014
From the booklet ‘The Unconquered Sun’. London: Sol Books, 1989
When this travelling correspondent examined, as she habitually does, the bargain basement boxes of a second hand CD and record shop in the English seaside town where she sought refuge from a heatwave designed to punish mankind for its sins, she came across Sol Veritas Lux, a CD containing the first two LPs by a band called Sol Invictus. As she had read about this outfit (in datacide, but chiefly on the web pages of Who Makes the Nazis)1 but had never actually heard their music she thought it not excessive to invest one (currently, though, very expensive) pound Sterling on some enlightenment in this murky area. The bandleader of the (in spite of the Latin name) very English ‘Invincible Sun’ is Tony Wakeford,2 a man who has asserted in numerous interviews and statements that he is not (anymore) a member of a fascist party (he had at a time been a member of the National Front) without ever, though, being very clear about why not. (I mention this because people leave parties or other rackets either because they have a change of heart about the ideas, ideals, goals, values involved, or because they find the respective party or racket fails to serve these ideas well enough. In the absence of any substantive evidence suggesting otherwise, it has to be assumed Wakeford’s is the second case: in various interviews with fanzines that are available on the internet he only ever makes comments that imply a critique of how the fascist party he was in operated, but nothing substantive concerning fascism as such.)3 ‘Sol Veritas Lux’ consists of ‘Against the Modern World’, the 1988 debut album of Sol Invictus and a follow up live album originally released shortly thereafter, ‘In the Jaws of the Serpent’,4 containing some of the same and some other songs.
The most prominent characteristic of this album is its [Read more →]
December 15th, 2014
Part 1 in Datacide 13 set out the dialectical character of noise, arguing that distribution media can be used to amplify a disciplining or intensifying function, and that for those attempting to create spaces of possibility media becomes an important site of struggle. Here, part 2 looks closer at the move from tangible to intangible sound objects, and the tension between engagement and pacification.
The strange loop
In 1999 it was rumoured that more turntables were sold than guitars (Collins; 2003). True or not, the turntable was by this point an acknowledged performance tool and for decades had been an important part of sound system culture. 1999 was also the year that Napster launched as a crude software tool that allowed peer-to-peer (P2P) sharing of digital copies of MP3s. MP3 compressed audio files making it possible to move them around electronic networks easily. MP3 compression was a standard developed by and for the culture industry, and together with the transmission potential of the internet and advances in digital audio recording, it appeared to enable a ‘democratisation’ of the means for distribution. The possibilities for the distribution of audio were emphasised by those interested in self-organising at the time. As Douglas Kellner and Steven Best pointed out in an essay written in the late 90s: [Read more →]