News
January 29th, 2010
January 3rd, 2010
Datacide Best of 2009
(no order)
No-Tek 14 - La Glace a la Viande EP
DM12003 - Poxxe - Iono EP
Harbinger Sound 76 - Sudden Infant - Under My Bed
Ad Noiseam 110 - Somatic Responses - Reformation
Feed the Machine 01 - V/A
3BY3001 - Cloaks - Against / Rust on Metal
Praxis 47 - Crisis Theory - dubs
Monkey Tool 10 - a034 - Unrecoverable Clusters
Hymen 56 - Imminent - Cask Strength
Sub/Version 14 - Amboss - Kompressorwahn / Avenida Paulista
January 2nd, 2010


Fundraiser for the printing of Datacide 11
FLOOR 1: DUBSTEP
NOIZE CREATOR (suburban trash, dresden)
GEROYCHE (ruff-e-nuff, chemnitz)
NEUROSIS ORCHESTRA (sprengstoff, berlin)
WARLOCK (rag & bone, london)
STAGGA (rag & bone, wales)
D.I.S. (ruff-e-nuff, chemnitz)
FLOOR 2: BREAKCORE
DJ SCUD & CHRISTOPH FRINGELI (ambush/praxis, london)
BASE FORCE ONE (datacide, praxis)
ZOMBIEFLESHEATER (sonic belligeranza, westerwald)
AMBOSS (subversion, berlin)
NEMETON (darkmatter, los angeles)
GVK (martel en tete, bruxelles)
CANNIBAL BROTHERS (zhark int., berlin)
TRAUM-A (x-traktor, berlin)
VISUALS
SANSCULOTTE (clash of the titans, berlin)
Ziegrastr. 11 Berlin
Start 22Uhr till late
7 Euros / 9 Euros with datacide 10 purchase

December 27th, 2009


start 22h - till late - EUR 3.00
watch out for more news about upcoming events soon!
December 10th, 2009


WR: Mysteries of the Organism
(Directed by Dusan Makaveyev, 1971, English and Serbo-Croation with English Subtitles, 85 minutes)
16 December, 20 Uhr @ Cagliostro / Praxis Shop - Lenbachstr. 10 Ostkreuz, Berlin
Datacide presents the screening of “WR: Mysteries of the Organism” at Cagliostro on 16 December at 20,00. Originally titled “WR (Wilhelm Reich): Mysteries of the Orgasm”, this subversive critique was shown only at a few cinemas in Yugoslavia in 1971 and then banned. This forced the director to emigrate in order to continue his relentless critique of Marxist-Lennism, traditional sexual politics and all anti-liberatory tendencies of the Cold War era. “WR” masterfully uses collage filmic technique to interlace documentary, fictional and found footage together into a combative story on Reich’s sexual politics. The collage techniques shock the viewer and instigating critique at every level. Datacide (C. Fringeli and Nemeton) will make a short introduction and a discussion with the viewing audience at the end of the film to highlight some of the aesthetic and political issues.
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